| Introduction |
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xv | |
| How To Use This Book |
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xix | |
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The Production Team & Who Does What |
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1 | (6) |
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Production Team Responsibilities Chart |
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2 | (5) |
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7 | (18) |
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Who Belongs In The Production Office? |
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7 | (1) |
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7 | (2) |
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9 | (2) |
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The Traveling Production Kit |
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11 | (3) |
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14 | (1) |
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14 | (1) |
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15 | (1) |
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Employees Driving Their Own Vehicles for Business Purposes |
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16 | (1) |
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Staff Scheduling & Assignment of Duties |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (3) |
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19 | (1) |
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Files for Features, Movies for Television, Cable or Internet |
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19 | (2) |
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21 | (1) |
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21 | (1) |
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21 | (4) |
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Request For Pick-Up/Delivery |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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25 | (30) |
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The Production Accountant |
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25 | (1) |
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The Accounting Department |
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26 | (1) |
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26 | (1) |
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26 | (1) |
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27 | (5) |
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27 | (1) |
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28 | (1) |
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28 | (1) |
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28 | (1) |
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28 | (2) |
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30 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (1) |
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32 | (1) |
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32 | (1) |
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Additional Taxable Income |
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32 | (1) |
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32 | (2) |
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34 | (1) |
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34 | (21) |
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U.S. Department Of Justice I-9 Form |
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37 | (1) |
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38 | (1) |
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Box/Equipment Rental Inventory |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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46 | (1) |
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Individual Petty Cash Account |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (1) |
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Timecards/Invoices Weekly Check-Off List |
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53 | (1) |
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54 | (1) |
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55 | (11) |
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It All Starts With A Script |
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55 | (1) |
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56 | (1) |
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56 | (2) |
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58 | (2) |
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60 | (3) |
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63 | (1) |
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63 | (1) |
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63 | (1) |
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63 | (3) |
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64 | (1) |
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65 | (1) |
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66 | (24) |
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66 | (1) |
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Establishing Company Policies |
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66 | (1) |
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67 | (1) |
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67 | (2) |
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69 | (1) |
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Inventories, Logs & Sign-Out Sheets |
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70 | (1) |
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70 | (1) |
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Overnight Delivery Service Log |
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70 | (1) |
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70 | (1) |
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70 | (1) |
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70 | (1) |
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71 | (1) |
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Collecting Information & Making Lists |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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72 | (6) |
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78 | (5) |
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Creating Your Own Production Manual |
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83 | (1) |
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83 | (7) |
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84 | (1) |
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85 | (1) |
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Mobile Phone/Pager Sign-Out Sheet |
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86 | (1) |
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Walkie-Talkie Sign-Out Sheet |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (20) |
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90 | (1) |
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Comprehensive General Liability |
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91 | (1) |
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Hired, Loaned, Donated Or Non-Owned Auto Liability |
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91 | (1) |
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Hired, Loaned Or Donated Auto Physical Damage |
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91 | (1) |
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Workers' Compensation & Employer's Liability |
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92 | (1) |
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Guild/Union Accident Coverage |
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93 | (1) |
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Production Package (Portfolio Policy) |
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93 | (2) |
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93 | (1) |
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94 | (1) |
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Family Death Endorsement (Bereavement Coverage) |
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94 | (1) |
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Negative Film And Videotape/Direct Physical Loss |
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94 | (1) |
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Faulty Stock, Camera, And Processing |
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94 | (1) |
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Props, Sets & Scenery; Costumes & Wardrobe; Miscellaneous Rented Equipment; Office Contents |
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95 | (1) |
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95 | (1) |
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Third Party Property Damage |
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95 | (1) |
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Supplemental (Or Optional) Coverage |
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95 | (2) |
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Umbrella (Excess Liability) |
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95 | (1) |
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96 | (1) |
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96 | (1) |
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Use Of Railroads Or Railroad Facilities |
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96 | (1) |
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96 | (1) |
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Use of Livestock Or Animals |
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96 | (1) |
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Signal Interruption Insurance |
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96 | (1) |
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96 | (1) |
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96 | (1) |
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97 | (1) |
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97 | (1) |
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Claims Reporting Procedures |
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98 | (1) |
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98 | (1) |
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98 | (12) |
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100 | (1) |
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101 | (2) |
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103 | (2) |
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Insurance Claim Worksheet (Theft) |
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105 | (1) |
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Insurance Claim Worksheet (Damage) |
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106 | (1) |
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Insurance Claim Worksheet (Cast/Extra Expense/Faulty Stock) |
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107 | (1) |
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Insurance Claim Worksheet (Automobile Accident) |
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108 | (2) |
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110 | (18) |
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110 | (1) |
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Communication With The Set |
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110 | (1) |
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111 | (1) |
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Call Sheets & Production Reports |
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112 | (1) |
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113 | (1) |
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The Script Supervisor's Role |
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114 | (1) |
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115 | (1) |
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115 | (1) |
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116 | (12) |
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117 | (2) |
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119 | (2) |
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121 | (1) |
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122 | (1) |
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123 | (1) |
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Camera Department Daily Raw Stock Log |
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124 | (1) |
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Script Supervisor's Daily Report |
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125 | (1) |
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Script Supervisor's Daily Log |
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126 | (2) |
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The Value Of Strong Industry Relationships, Making Good Deals & Saving Money |
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128 | (5) |
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128 | (1) |
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129 | (1) |
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Studio & Network Executives |
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129 | (1) |
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130 | (1) |
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Negotiating Tips For Hiring Crew |
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131 | (1) |
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Avoid Cutting Off Your Nose To Spite Your Face |
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131 | (2) |
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133 | (10) |
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133 | (10) |
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134 | (2) |
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136 | (1) |
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137 | (1) |
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138 | (1) |
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Director Deal Memorandum---Film (Theatrical) |
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139 | (1) |
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Director Deal Memorandum---Film (Television) |
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140 | (1) |
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Unit Production Manager & Assistant Director Deal Memorandum---Film |
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141 | (1) |
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Special Low Budget Project Unit Production Manager & Assistant Director Deal Memorandum---Film |
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142 | (1) |
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143 | (46) |
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143 | (1) |
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The Alliance of Motion Picture and Television Producers (AMPTP) |
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143 | (1) |
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Union Versus Non-Union Shows |
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144 | (1) |
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144 | (1) |
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Becoming a Union Signatory |
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144 | (1) |
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Directors Guild Of America (DGA) |
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145 | (1) |
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Screen Actors Guild (SAG) |
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146 | (1) |
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SAG, DGA and WGA---Forms And Reports |
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146 | (1) |
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The Writers Guild---Notice Of Tentative Writing Credits |
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146 | (2) |
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146 | (1) |
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Theatrical Motion Pictures |
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147 | (1) |
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Union and Guilds on the Internet |
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148 | (1) |
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148 | (41) |
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SAG Daily Contract for Television Motion Pictures or Videotapes |
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149 | (2) |
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SAG Minimum Three-Day Contract for Television Motion Pictures or Videotapes |
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151 | (2) |
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SAG Minimum Freelance Weekly Contract for Television Motion Pictures or Videotapes |
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153 | (2) |
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SAG Stunt Performer's Daily Contract for Television Motion Pictures |
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155 | (2) |
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SAG Stunt Performer's Minimum Freelance Three-Day Contract for Television Motion Pictures |
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157 | (2) |
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SAG Stunt Performer's Minimum Freelance Weekly Contract for Television Motion Pictures |
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159 | (2) |
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SAG Daily Contract for Theatrical Motion Pictures |
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161 | (2) |
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SAG Minimum Freelance Contract for Theatrical Motion Pictures |
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163 | (2) |
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SAG Stunt Performer's Daily Contract for Theatrical Motion Pictures |
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165 | (2) |
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SAG Stunt Performer's Minimum Freelance Weekly Contract for Theatrical Motion Pictures |
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167 | (2) |
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SAG Performer Contract for Interactive Programming |
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169 | (1) |
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170 | (1) |
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SAG Taft/Hartley Report---Extra |
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171 | (1) |
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SAG Theatrical and Television Sign-In Sheet |
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172 | (1) |
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SAG Performers Production Time Report (Exhibit G) |
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173 | (2) |
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175 | (2) |
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SAG Casting Data Report for Stunt Performers Only |
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177 | (2) |
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SAG Casting Data Report---Low-Budget, Affirmative Action |
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179 | (2) |
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SAG Final Cast List Information Sheet |
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181 | (2) |
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SAG Member Report ADR Theatrical/Television |
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183 | (1) |
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184 | (1) |
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DGA Employment Data Report |
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185 | (2) |
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WGA Notice of Tentative Writing Credits---Theatrical |
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187 | (1) |
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WGA Notice of Tentative Writing Credits---Television |
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188 | (1) |
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189 | (11) |
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Follow-Through after an Actor Has Been Set |
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189 | (2) |
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191 | (1) |
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191 | (1) |
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Stunt Performer Categories |
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192 | (1) |
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192 | (1) |
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192 | (1) |
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193 | (1) |
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193 | (1) |
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Transportation And Location Expenses |
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194 | (1) |
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194 | (1) |
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Dubbing (For Theatrical Motion Pictures Only) |
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194 | (1) |
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194 | (1) |
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195 | (1) |
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196 | (1) |
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196 | (1) |
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196 | (1) |
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196 | (1) |
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Multimedia, Internet And Industrial/Educational Contracts |
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196 | (1) |
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197 | (1) |
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199 | |
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Screen Actors Guild Offices |
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197 | (3) |
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200 | (7) |
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200 | (1) |
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200 | (1) |
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201 | (1) |
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Gathering Large Crowds And Filling Stadiums |
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201 | (1) |
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Extras Casting On Location |
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202 | (1) |
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202 | (1) |
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Moving from Non-Union to Union Status |
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203 | (1) |
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203 | (1) |
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204 | (3) |
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Extra Talent Voucher (can be used for union or non-union extras)---generally filled out in triplicate |
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205 | (1) |
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206 | (1) |
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207 | (28) |
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207 | (1) |
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208 | (1) |
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208 | (1) |
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Names Of Actual Businesses Or Organizations |
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208 | (1) |
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208 | (1) |
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208 | (1) |
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Depiction Of Public Authorities |
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208 | (1) |
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208 | (1) |
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Depiction Or Identification Of Actual Products |
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208 | (1) |
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208 | (1) |
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209 | (1) |
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Guidelines For The Use Of Clips, Stills And News Footage In Multimedia Programs |
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209 | (4) |
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210 | (1) |
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News And/Or Stock Footage |
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210 | (1) |
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210 | (1) |
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210 | (1) |
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211 | (1) |
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Public Domain Films And Stills |
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211 | (1) |
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211 | (1) |
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211 | (1) |
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212 | (1) |
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212 | (1) |
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Directors And Writers Payments |
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213 | (1) |
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Distribution Of Release Forms |
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213 | (1) |
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214 | (21) |
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215 | (1) |
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Personal Release---Payment |
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216 | (1) |
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217 | (1) |
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218 | (1) |
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219 | (1) |
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220 | (1) |
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Use Of Art Work (release from copyrighted owner) |
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221 | (1) |
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Use Of Still Photograph(s) (release from copyrighted owner) |
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222 | (1) |
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Use Of Still Photograph(s) (release from person depicted in photo) |
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223 | (1) |
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Use Of Poster (release from copyrighted owner) |
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224 | (1) |
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225 | (1) |
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Crowd Notice---Release (multiple copies to be placed in a studio when filming or taping before a live audience) |
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226 | (1) |
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Crowd Notice---Release (multiple copies to be placed in an ``area'' in which filming or taping is taking place) |
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227 | (1) |
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Supplying A Film/Tape Clip Of Your Show For Promotional Purposes |
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228 | (1) |
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Product Placement Release |
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229 | (2) |
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Film/Tape Footage Release |
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231 | (2) |
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Talent/Use Of Names & Likeness In A Film Or TV Clip |
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233 | (1) |
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Request For Videocassette |
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234 | (1) |
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A Guide To Music Clearance |
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235 | (10) |
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235 | (10) |
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245 | (11) |
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246 | (1) |
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246 | (1) |
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Designated Areas Of Responsibility |
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246 | (1) |
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246 | (1) |
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General Safety Guidelines For Production |
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247 | (2) |
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247 | (1) |
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248 | (1) |
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Common Fall Risks (Catwalks, Runways, Floor Openings, Guardrails, Scaffolds And Stairwells) |
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248 | (1) |
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Chemicals and Flammable Materials |
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248 | (1) |
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Hand Tools and Related Equipment |
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248 | (1) |
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Filming Equipment (Booms, Camera and Insert Cars, Cranes, Dollies, etc.) |
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248 | (1) |
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Filming Vehicles (Aircraft, Helicopters, Cars, Trains, etc.) |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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Stunts And Special Effects |
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249 | (1) |
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249 | (1) |
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249 | (1) |
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249 | (1) |
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249 | (1) |
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Screen Actors Guild---Safety Regulations |
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249 | (1) |
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Working Under Hazardous Conditions |
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250 | (1) |
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251 | (1) |
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``On Location''---Personal Safety Considerations And Suggestions |
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251 | (1) |
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Visit Locations Prior To First Day Of Shooting |
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251 | (1) |
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251 | (1) |
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Additional Safety Suggestions |
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252 | (1) |
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252 | (1) |
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252 | (1) |
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252 | (1) |
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252 | (4) |
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Acknowledgment Of Safety Guidelines |
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253 | (1) |
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Daily Departmental Safety Meeting Report |
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254 | (1) |
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Emergency Information Form (To be posted on the set at all times) |
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255 | (1) |
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256 | (12) |
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256 | (3) |
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Filmmaker's Code Of Conduct |
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259 | (1) |
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260 | (8) |
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261 | (2) |
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Non-Filmed Location Agreement |
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263 | (1) |
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264 | (1) |
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Location Information Sheet |
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265 | (1) |
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266 | (1) |
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Request To Film During Extended Hours |
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267 | (1) |
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268 | (17) |
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The Traveling Production Office |
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268 | (1) |
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Distant Location Checklist |
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268 | (2) |
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270 | (1) |
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Movement Lists And Individual Travel Itineraries |
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271 | (1) |
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271 | (2) |
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Interacting With Local Communities |
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273 | (1) |
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273 | (1) |
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274 | (1) |
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274 | (2) |
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276 | (1) |
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277 | (8) |
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278 | (1) |
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Quick Reference Travel Movement |
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279 | (1) |
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Individual Travel Itinerary |
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280 | (1) |
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281 | (1) |
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282 | (1) |
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283 | (1) |
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284 | (1) |
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285 | (19) |
|
U.S. Companies Shooting in Foreign Countries |
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|
285 | (12) |
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Before You Cross the Border |
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|
285 | (2) |
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Supplying Information to Cast and Crew |
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|
287 | (1) |
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Instructions for Crossing into a Foreign Country |
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288 | (1) |
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288 | (1) |
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288 | (1) |
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288 | (1) |
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Personal versus Commerical Goods |
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288 | (1) |
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Crossing with Personal Tools and Equipment |
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288 | (1) |
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288 | (1) |
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288 | (1) |
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288 | (1) |
|
General Customs and Shipping Guidelines |
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289 | (1) |
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289 | (1) |
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290 | (1) |
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Temporary versus Definite |
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290 | (1) |
|
Brokers and Freight Forwarders |
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290 | (1) |
|
Methods of Importing Goods on a Temporary Basis |
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291 | (1) |
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291 | (1) |
|
Certificate of Registration |
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292 | (1) |
|
Pro-Forma Shipping Invoices |
|
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292 | (2) |
|
TIB, or Temporary Importation Bond |
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294 | (1) |
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294 | (1) |
|
Shipper Export Declaration |
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294 | (1) |
|
Transporting Goods across The Border |
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294 | (1) |
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295 | (1) |
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295 | (1) |
|
Proving Information to Vendors |
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295 | (1) |
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296 | (1) |
|
Film and Dailies on a Foreign Location |
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296 | (1) |
|
U.S. Sales Tax Exemptions |
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297 | (1) |
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297 | (1) |
|
The United States as a Foreign Location |
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297 | (1) |
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297 | (1) |
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298 | (1) |
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299 | (1) |
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300 | (4) |
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Pro-Forma Shipping Invoice |
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301 | (1) |
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302 | (1) |
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303 | (1) |
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304 | (4) |
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304 | (2) |
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306 | (1) |
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307 | (1) |
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308 | (6) |
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309 | (1) |
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310 | (2) |
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310 | (2) |
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312 | (1) |
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312 | (1) |
|
The Final Production Book |
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312 | (1) |
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312 | (2) |
|
Departmental Wrap Schedule |
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313 | (1) |
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314 | (2) |
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316 | (5) |
|
Developing, Bidding & Awarding |
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316 | (1) |
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317 | (1) |
|
The Relationship between the Client, Agency and Production Company |
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317 | (1) |
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318 | (1) |
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318 | (1) |
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319 | (2) |
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320 | (1) |
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321 | (21) |
|
Film Versus Electronic Editing |
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322 | (1) |
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323 | (1) |
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323 | (1) |
|
The Post Production Process |
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324 | (1) |
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324 | (1) |
|
Two-Hour Movie for Television or One-Hour Television Drama |
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324 | (1) |
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324 | (1) |
|
Sample Post Production Schedules |
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324 | (1) |
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Post Production Process Done Entirely On Film |
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325 | (1) |
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Post Production Schedule Based on Editing Digitally and Completing the Process on Film |
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326 | (1) |
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Entire Post Production Schedule Done Electronically |
|
|
326 | (1) |
|
Basic Post Production Terminology |
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327 | (4) |
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327 | (2) |
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329 | (2) |
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331 | (8) |
|
Directors Guild of America (DGA) |
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331 | (1) |
|
Director---Theatrical Motion Pictures |
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331 | (1) |
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331 | (1) |
|
Unit Production Manager/First Assistant Director/Second Assistant Director---Theatrical Motion Pictures and Television |
|
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331 | (1) |
|
Screen Actors Guild (SAG) |
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|
332 | (1) |
|
Performers---Theatrical Motion Pictures |
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|
332 | (1) |
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Performers---Television Motion Pictures |
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|
332 | (1) |
|
Writers Guild of America (WGA) |
|
|
332 | (1) |
|
Writers---Theatrical Motion Pictures |
|
|
332 | (1) |
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|
332 | (1) |
|
Miscellaneous Local Craft Unions |
|
|
332 | (1) |
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332 | (1) |
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|
332 | (1) |
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332 | (1) |
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333 | (1) |
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333 | (1) |
|
Makeup Artist/Hair Stylist |
|
|
333 | (1) |
|
Main Titles and End Credits |
|
|
333 | (1) |
|
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|
334 | (1) |
|
Sample Main Titles---Movie For Television |
|
|
334 | (1) |
|
Sample Main Titles---Theatrical Motion Picture |
|
|
335 | (1) |
|
Sample End Credits---Theatrical Motion Picture |
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|
336 | (3) |
|
Standard Delivery Requirements |
|
|
339 | (3) |
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342 | (6) |
|
|
|
342 | (3) |
|
|
|
345 | (1) |
|
Developing the Right Attitude & Necessary People Skills |
|
|
345 | (1) |
|
Once You've Got Your Foot In the Door, How Do You Learn What You Don't Already Know? |
|
|
346 | (2) |
| Tear-Out Blank Forms |
|
348 | (155) |
|
|
|
|
Request For Pick-Up/Delivery |
|
|
350 | (1) |
|
|
|
351 | (1) |
|
|
|
352 | (4) |
|
|
|
|
U.S. Department of Justice 1-9 Form |
|
|
|
|
|
356 | (1) |
|
Box/Equipment Rental Inventory |
|
|
357 | (1) |
|
|
|
358 | (1) |
|
|
|
359 | (1) |
|
|
|
360 | (1) |
|
|
|
361 | (1) |
|
|
|
362 | (1) |
|
|
|
363 | (1) |
|
|
|
364 | (1) |
|
Individual Petty Cash Account |
|
|
365 | (1) |
|
|
|
366 | (1) |
|
|
|
367 | (1) |
|
|
|
368 | (1) |
|
|
|
369 | (1) |
|
|
|
370 | (1) |
|
Timecards/Invoices Weekly Check-Off List |
|
|
371 | (1) |
|
|
|
372 | (1) |
|
|
|
|
|
|
373 | (1) |
|
|
|
374 | (1) |
|
|
|
|
|
|
375 | (1) |
|
|
|
376 | (1) |
|
Mobile Phone/Pager Sign-out Sheet |
|
|
377 | (1) |
|
Walkie-Talkie Sign-Out Sheet |
|
|
378 | (1) |
|
|
|
379 | (1) |
|
|
|
380 | (1) |
|
|
|
|
Accord Insurance Forms Certificate Of Insurance |
|
|
381 | (2) |
|
|
|
383 | (2) |
|
|
|
385 | (2) |
|
Insurance Claim Worksheets Theft |
|
|
387 | (1) |
|
|
|
388 | (1) |
|
Cast/Extra Expense/Faulty Stock |
|
|
389 | (2) |
|
|
|
391 | (2) |
|
|
|
|
|
|
393 | (2) |
|
|
|
395 | (2) |
|
|
|
397 | (1) |
|
|
|
398 | (1) |
|
|
|
399 | (1) |
|
Camera Department Daily Raw Stock Log |
|
|
400 | (1) |
|
Script Supervisor's Daily Report |
|
|
401 | (2) |
|
Script Supervisor's Daily Log |
|
|
403 | (2) |
|
|
|
|
|
|
405 | (2) |
|
|
|
407 | (1) |
|
|
|
408 | (1) |
|
|
|
409 | (1) |
|
DGA---Director Deal Memorandum---Film (Theatrical) |
|
|
410 | (1) |
|
DGA---Director Deal Memorandum---Film (Television) |
|
|
411 | (1) |
|
DGA---Unit Production Manager & Assistant Director Deal Memorandum---Film |
|
|
412 | (1) |
|
DGA--Special Low Budget Project Unit Production Manager & Assistant Director Deal Memorandum---Film |
|
|
413 | (2) |
|
|
|
|
Screen Actors Guild Forms |
|
|
|
Daily Contract for Television Motion Pictures or Videotapes |
|
|
415 | (2) |
|
Minimum Three-Day Contract for Television Motion Pictures or Videotapes |
|
|
417 | (2) |
|
Minimum Freelance Weekly Contract for Television Motion Pictures or Videotapes |
|
|
419 | (2) |
|
Stunt Performer's Daily Contract for Television Motion Pictures |
|
|
421 | (2) |
|
Stunt Performer's Minimum Freelance Three-Day Contract for Television Motion Pictures |
|
|
423 | (2) |
|
Stunt Performer's Minimum Freelance Weekly Contract for Television Motion Pictures |
|
|
425 | (2) |
|
Daily Contract for Theatrical Motion Pictures |
|
|
427 | (2) |
|
Minimum Freelance Contract for Theatrical Motion Pictures |
|
|
429 | (2) |
|
Stunt Performer's Daily Contract for Theatrical Motion Pictures |
|
|
431 | (2) |
|
Stunt Performer's Minimum Freelance Weekly Contract for Theatrical Motion Pictures |
|
|
433 | (2) |
|
Performer Contract for Interactive Programming |
|
|
435 | (1) |
|
|
|
436 | (1) |
|
Taft/Hartley Report---Extra |
|
|
437 | (1) |
|
Theatrical and Television Sign-In Sheet |
|
|
438 | (1) |
|
Performers Production Time Report (Exhibit G) |
|
|
439 | (2) |
|
|
|
441 | (2) |
|
Casting Data Report for Stunt Performers Only |
|
|
443 | (2) |
|
Casting Data Report---Low-Budget, Affirmative Action |
|
|
445 | (2) |
|
Final Cast List Information Sheet |
|
|
447 | (2) |
|
Member Report ADR Theatrical/Television |
|
|
449 | (1) |
|
Directors Guild of American Forms Weekly Work List |
|
|
450 | (1) |
|
|
|
451 | (2) |
|
Writers Guild of America Forms Notice of Tentative Writing Credits---Theatrical |
|
|
453 | (1) |
|
Notice of Tentative Writing Credits---Television |
|
|
454 | (1) |
|
|
|
|
|
|
455 | (1) |
|
|
|
|
|
|
456 | (1) |
|
|
|
457 | (1) |
|
|
|
|
|
|
458 | (1) |
|
Personal Release---Payment |
|
|
459 | (1) |
|
|
|
460 | (1) |
|
|
|
461 | (1) |
|
|
|
462 | (1) |
|
|
|
463 | (1) |
|
Use of Artwork (release from copyrighted owner) |
|
|
464 | (1) |
|
Use of Still Photograph(s) (release from copyrighted owner) |
|
|
465 | (1) |
|
Use of Still Photograph(s) (release from person depicted in photo) |
|
|
466 | (1) |
|
Use of Poster (release from copyrighted owner) |
|
|
467 | (1) |
|
|
|
468 | (1) |
|
Crowd Notice---Release (multiple copies to be placed in a studio when filming or taping before a live audience) |
|
|
469 | (1) |
|
Crowd Notice---Release (multiple copies to be placed in an ``area'' in which filming or taping is taking place) |
|
|
470 | (1) |
|
Supplying A Film/Tape Clip of Your Show for Promotional Purposes |
|
|
471 | (2) |
|
Product Placement Release |
|
|
473 | (2) |
|
Film/Tape Footage Release |
|
|
475 | (2) |
|
Talent/Use of Name & Likeness in a Film or TV Clip |
|
|
477 | (1) |
|
Request for Videocassette |
|
|
478 | (1) |
|
|
|
|
Acknowledgment of Safety Guidelines |
|
|
479 | (1) |
|
Daily Departmental Safety Meeting Report |
|
|
480 | (1) |
|
Emergency Information Form |
|
|
481 | (2) |
|
|
|
|
|
|
483 | (2) |
|
Non-Filmed Location Agreement |
|
|
485 | (1) |
|
|
|
486 | (1) |
|
Location Information Sheet |
|
|
487 | (1) |
|
|
|
488 | (1) |
|
Request to Film During Extended Hours |
|
|
489 | (1) |
|
|
|
|
|
|
490 | (1) |
|
Quick Reference Travel Movement |
|
|
491 | (1) |
|
Individual Travel Itinerary |
|
|
492 | (1) |
|
|
|
493 | (1) |
|
|
|
494 | (1) |
|
|
|
495 | (1) |
|
|
|
496 | (1) |
|
|
|
|
Pro-Forma Shipping Invoice |
|
|
497 | (1) |
|
|
|
498 | (1) |
|
|
|
499 | (1) |
|
|
|
|
Departmental Wrap Schedule |
|
|
500 | (1) |
|
|
|
|
|
|
501 | (2) |
| Index |
|
503 | (8) |
| Index of Forms |
|
511 | |