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American Art to 1900 - Burns, Sarah (EDT)/ Davis, John (EDT)

American Art To 1900

por Burns, Sarah (edt) ; Davis, John (edt)

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Formato: Encuadernación Rústica (Paperback)
Editorial: Univ Of California Pr
Tema: ART / History / Contemporary (1945-)
Tags: Art, American, Sources
Idioma: Inglés
Páginas: 988
Estado: Nuevo
ISBN: 0520257561
ISBN 13: 9780520257566
Precio: US$ 74,67
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Resumen del libro
Publisher Summary 1
From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.
 


Tabla de Contenidos del libro
Introduction 1(8)
The Colonial Era
9(48)
Art in an Age of Puritanism
9(6)
The Well-Dressed Puritan
9(2)
Icons and the Metaphor of Painting
11(1)
Cotton Mather on Art
12(2)
Thomas Smith's Reflection on Death
14(1)
Dissenting Opinions: Alternatives to Puritan Practice
15(10)
Quaker ``Rules'' on Tombstones
15(1)
John Valentine Haidt's Theory of Painting
16(4)
Art and the Spanish Conquest
20(5)
Advertisements
25(7)
Peter Pelham Scrapes a Mezzotint
25(1)
Runaway ``Limners''
26(2)
John Durand
28(1)
Work for Women
28(2)
Public Spectacle
30(2)
Early Responses to Portraits
32(2)
Pioneering Artists
34(6)
John Smibert Documents
34(4)
Benjamin West on William Williams
38(2)
Taste and Theory
40(2)
Of the Knowledge of Painting
40(1)
The Use and Advantages of the Fine Arts
40(2)
Poems on Portraits
42(2)
Training and the Lure of Europe
44(13)
John Singleton Copley: Ambition and Practicality
44(9)
Charles Willson Peale in London and Philadelphia
53(4)
Revolution and Early Republic
57(118)
Defining Art
57(19)
John Adams on the Arts
57(2)
Public Art for the New Republic: Charles Willson Peale's Triumphal Arch
59(3)
The Place of the Arts in American Society
62(2)
An Early Scheme for a Museum of Sculpture
64(2)
Sculptors for the Capitol
66(2)
Wertmuller's Danae and ``Nudities''
68(2)
``Native'' Subjects vs. Continental Taste
70(3)
A Plan for Government Patronage of History Painting
73(3)
Citizens: Documents on Portrait Painting
76(20)
Bushrod Washington Commissions a Portrait
76(1)
George Washington: The Image Industry
77(4)
Ralph Earl and Reuben Moulthrop: Connecticut Itinerant Painters
81(3)
Joshua Johnson Advertises
84(1)
Gilbert Stuart: Eyewitness Accounts
85(5)
President Monroe Discusses American Artists
90(2)
Charles Willson Peale's Advice to Rembrandt Peale
92(1)
Chester Harding, Self-Made Artist
93(3)
Artistic Identity, Artistic Choices
96(37)
Benjamin West: A New World Genius Conquers the Old
96(4)
Benjamin West, Patriarch of American Painting
100(2)
John Trumbull Paints Revolutionary History
102(4)
Washington Allston's Southern Roots
106(1)
Washington Allston and the Miraculous Sublime
107(1)
Washington Allston in Boston
108(6)
Washington Allston's ``Secret Technique''
114(1)
Washington Allston's Idealism
115(9)
John Vanderlyn's Bid for Fame
124(1)
John Vanderlyn Paints an American Epic
125(2)
John Vanderlyn's Panorama
127(2)
Samuel Morse's The House of Representatives
129(1)
Rembrandt Peale's The Court of Death
130(3)
The Establishment of Artistic Categories
133(12)
Landscape
133(1)
Charles Willson Peale's Moving Pictures
133(1)
Timothy Dwight Views Greenfield Hill
134(2)
The American Gothic Landscapes of Charles Brockden Brown
136(2)
The Earliest Guide to Sketching Landscape
138(2)
Still Life
140(1)
Raphaelle Peale
140(3)
Genre
143(1)
John Lewis Krimmel
143(2)
Early Institutions
145(30)
Philadelphia
145(1)
Charles Willson Peale's Museum
145(4)
The Columbianum
149(1)
Quaker City Arts Organizations, c. 1810
150(12)
New York
162(1)
The American Academy of the Fine Arts
162(9)
Boston
171(1)
John Browere's Gallery
171(4)
Antebellum America: Values and Institutions
175(80)
Art in a Democratic Nation
175(31)
The Importance of the Genres
175(8)
Art in a Mercantile Culture
183(3)
Charles Fraser Considers Art, Society, and the Future
186(3)
William Dunlap Champions the Arts
189(3)
Ralph Waldo Emerson's Living Art
192(5)
The Anti---``American School''
197(2)
Joel Headley Waves the Flag of American Art
199(3)
On Mechanics and the Useful Arts
202(4)
Building Institutions
206(28)
The National Academy of Design
206(1)
The Founding
206(3)
The Early Years
209(6)
Growing Polarization
215(7)
The American Art-Union
222(12)
Collectors and Patrons
234(21)
Thomas Cole and His Patrons
234(6)
Thomas Cole Laments the Taste of the Times
240(3)
William Sidney Mount Chooses a Subject
243(1)
Instructions for Collectors
244(4)
James Fenimore Cooper Commissions a Statue
248(2)
Art and Private property
250(5)
Antebellum America: Landscape, Life, and Spectacle
255(104)
The American Landscape
255(54)
Literary Landscapes
255(1)
James Fenimore Cooper's Forest Primeval
255(2)
Educating the Gaze: Benjamin Silliman on Monte Video
257(1)
The Glory of an American Autumn
258(2)
Romantic Nature
260(1)
For the Birds; John James Audubon and American Nature
260(4)
Thomas Cole and the American Landscape
264(7)
The Poetry of Landscape: Thomas Cole in Verse
271(2)
Thomas Cole and the Course of Empire
273(3)
American Sites: Tourist Literature
276(1)
Tourists in the Landscape
276(6)
The Railroad in the Landscape
282(4)
Transcendental Nature
286(1)
Emerson's Transcendent Natural World
286(4)
Nature, Wild and Tame
290(1)
Asher B. Durand Formulates the American Landscape
290(7)
The Hudson River School in Public
297(3)
Facing Nature: Jasper Cropsey and Sanford Gifford
300(5)
The National Landscape in Repose: John Frederick kensett
305(2)
Fitz Henry Lane, Marine Painter Extraordinaire
307(2)
American Life
309(19)
Ralph Waldo Emerson on Native and national Art
309(1)
William Sidney Mount and the Celebration of National Character
310(3)
William Sidney Mount's Thoughts on Art, Life, and Travel Abroad
313(3)
The Significance of Bumps on the Skull
316(2)
Walt Whitman on American Painting
318(1)
David Gilmour Blythe on Modern Times
319(3)
Lilly Martin Spencer: Making It in New York
322(6)
Artists of Color and the Representation of Race
328(19)
The Public Display of Slavery
328(3)
William Sidney Mount's Ambivalence on Race
331(1)
Frederick Douglass on African American Portraiture
332(1)
The Verses of Dave the Potter
333(2)
J.P. Ball's Panorama of Slavery
335(1)
An Imaginary Picture Gallery
336(7)
Eastman Johnson's Negro Life at the South
343(4)
Artists: Advice and Careers
347(12)
Rufus Porter's Recipe for Mural Painting
347(1)
Thomas Seir Cummings on Miniature Painting
348(4)
A Folk Artist Overcomes a Disability
352(3)
Thomas Sully's Hints to Young Painters
355(4)
Antebellum America: Public Art and Popular Art
359(54)
The U.S. Government as Patron: Decoration of the Capitol
359(17)
Horatio Greenough's George Washington
359(8)
Lobbying for Capitol Commissions
367(5)
The Liberty Cap as a Symbol of Slavery
372(2)
Artists Weigh In on Art in the Capitol
374(2)
Art In Public
376(12)
Hiram Powers's The Greek Slave
376(6)
The Public Display of the Nude
382(1)
George Templeton Strong Visits the National Academy
383(1)
Too Many Portraits?
384(3)
Henry James Remembers a New York Childhood
387(1)
Popular Art, Edification, and Entertainment
388(25)
Responses to the Daguerreotype
388(5)
Taste and Print Culture
393(2)
Daniel Huntington's Mercy's Dream
395(5)
Gift Books and Sentimental Culture
400(3)
High and Low: Taste in Painting
403(1)
Currier & Ives: Art Hand in Hand with Business
404(1)
Oliver Wendell Holmes on Stereographs
405(3)
The American Museum
408(5)
Antebellum America: Expanding Horizons
413(60)
International Travel and Exchange
413(11)
Dusseldorf and the Dusseldorf Gallery
413(3)
The Lure of Italy
416(8)
Manifest Destiny
424(4)
Manufacturing History
428(11)
American History, Pro and Con
428(3)
The American Spirit of Emanuel Leutze
431(3)
Emanuel Leutze's Clash of Civilizations
434(2)
Washington Crossing the Delaware: Birth of an Icon
436(3)
Art on And of the Frontier
439(24)
The Noble Savage/Vanishing Race
439(1)
George Catlin Portrays the Native Americans
439(9)
Prince Max and Karl Bodmer among the Mandan
448(4)
American Indians as Spectacle
452(1)
American Indians as Pictorial Material
453(1)
Western Life
454(1)
George Caleb Bingham: Western Life and Western Politics
454(2)
Critics on Bingham, East and West
456(3)
Life on the Mississippi in John Banvard's Panorama
459(2)
William Jewett's Letters from California
461(2)
Frederic Church's Sublime Landscapes
463(10)
Heart of the Andes
463(6)
After Icebergs with a Painter
469(4)
The 1860s
473(90)
Taking Stock
473(20)
The Photograph and the Face
473(5)
A Sunny View of American Progress in Art
478(1)
James Jackson Jarves's The Art-Idea
479(6)
Henry T. Tuckerman's Book of the Artists
485(5)
Sculpture in Mid-century America
490(3)
Landscape At a Crossroads: Nature Seen Through Telescope and Microscope
493(1)
The American Pre-Raphaelites
493(18)
Albert Bierstadt's Great Picture
502(3)
Variations on a Scene: John Frederick Kensett, Albert Bierstadt, and Thomas Hill
505(3)
Too Many Landscapes
508(3)
Civil War
511(17)
The War and the Artist
511(6)
A Southern View of the Arts during War
517(2)
Photographs of Antietam
519(2)
Sanitary Fairs
521(2)
History Painting and the War
523(3)
Winslow Homer's Prisoners from the Front
526(2)
Race
528(9)
Sojourner Truth Inspires a Sculptor
528(2)
John Quincy Adams Ward's Freedman
530(3)
Anne Whitney's Africa
533(2)
Postwar Painting and Race
535(2)
Art After Conflict
537(26)
Memorializing the War
537(4)
The National Academy of Design: Praise and Condemnation
541(4)
Settling In: Artists in Their Studios
545(4)
The Conditions of Art in America
549(3)
Dissatisfaction with Artists
552(4)
What Does Art Teach Us?
556(1)
Is Religious Art Still Relevant?
557(6)
The Gilded Age: Life and Landscape At Home
563(80)
Nationalism and Home Subjects
563(9)
Eugene Benson's French Gospel for Truly American Art
563(2)
Home Subjects and Patriotic Painting
565(4)
Eastman Johnson's Formula for Success
569(2)
Art in the South
571(1)
Modes of Realism
572(30)
Winslow Homer, All-American
572(2)
Damnable Ugly: Henry James on Winslow Homer
574(4)
Winslow Homer's Working Methods
578(4)
Winslow Homer's Sea Change
582(3)
Winslow Homer's Savage Nature and Primal Scenes
585(4)
Thomas Eakins in Europe
589(3)
Thomas Eakins's The Gross Clinic
592(5)
Mariana Griswold Van Rensselaer Meets Thomas Eakins
597(2)
Eadweard Muybridge's Serial Photographs
599(3)
Race and Representation
602(10)
Robert Scott Duncanson and ``Passing''
602(1)
Edward Bannister and George Bickles: Discrimination and Acceptance
602(3)
Winslow Homer: Painting Race
605(3)
Henry Ossawa Tanner
608(4)
Landscapes: East and West
612(31)
The Old Northeast
612(1)
Armchair Tourism and Picturesque America
612(3)
Poetry in Paint: Art in Boston
615(5)
George Inness and the Spiritual in Art
620(3)
George Inness and the Landscape of the Mind
623(4)
The New West
627(1)
William Henry Jackson: Photographing the West
627(3)
Thomas Moran and the Western Sublime
630(4)
Frederic Remington's Wild West
634(3)
Cultural Intersections: Native Art and the White Imperial Gaze
637(6)
The Gilded Age: Art Worlds and Art Markets
643(46)
Art on the Market
643(22)
French Art in New York
643(1)
Buy American
644(2)
Art as Commodity
646(4)
Artists Broker Their Work
650(2)
American Artists: Starving or Selling OUt
652(3)
Art World Diaries: Jervis McEntee and J. Carroll Beckwith
655(10)
Studio Life and Art Society
665(24)
New Men and Women in New York
665(3)
Artists and Models
668(4)
William Merritt Chase's Super-Studio
672(4)
Elizabeth Bisland Roving the Studios
676(3)
The Tile Club: Play as Work
679(2)
Artists in Their Summer Havens
681(2)
Varnishing Day
683(6)
The Gilded Age: Education, Institutions, And Exhibitions
689(58)
Education
689(35)
A Cautionary Essay on Art Instruction
689(4)
Boston
693(1)
William Morris Hunt's Talks on Art
693(4)
The Massachusetts Drawing Act of 1870
697(3)
Chicago
700(1)
Sculpture at the Art Institute of Chicago
700(1)
New york
701(1)
Labor and Art on the Lower East Side
701(2)
Lemuel Wilmarth on the Life Class
703(2)
Breaking Away: The Art Students League
705(4)
Philadelphia
709(1)
The School of the Pennsulvania Academy of the Fine Arts
709(9)
The Pennsylvania Museum and School of Industrial Art
718(3)
San Francisco
721(1)
A Deaf Art Student in San Francisco
721(3)
Art Institutions
724(14)
Young Turks: The Formation of the Society of American Artists
724(7)
The Need for American Museums
731(5)
George Inness on Art Organizations
736(2)
The Philadelphia Centennial and the Colonial Revival
738(1)
E. L. Henry Dreams of the Past
738(9)
The Centennial Exhibition
739(5)
The Colonial Revival Landscape
744(3)
Cosmopolitan Dialogues
747(1)
Internationalism
747(102)
The Tariff Controversy
747(12)
Internationalist Backlash
749(3)
The Return from Europe
752(2)
Friedrich Pecht: A German Critic on American Art
754(1)
Americans Abroad
755(4)
Art Education
759(26)
Germany
759(1)
The Munich School
759(5)
France
764(1)
Will Low Remembers Barbizon
764(3)
J. Alden Weir Writes Home about Jean-Leon Gerome
767(3)
Elizabeth Boott Studies with Thomas Couture
770(4)
Kenyon Cox Struggles in Paris
774(4)
May Alcott Nieriker's Tips for Study in Paris
778(2)
Student Life at the Ecole des Beaux-Arts
780(3)
A Midwesterner in the City of Light
783(2)
The Nude
785(9)
Kenyon Cox's Lonely Campaign for the Nude
785(3)
Antony Comstock vs. Knoedler & Co
788(4)
Augustus Saint-Gaudens Resigns
792(2)
Arch-Expatriates
794(27)
James McNeill Whistler, Expatriate Extraordinaire
794(2)
Art on Trial: James McNeill Whistler vs. John Ruskin
796(7)
James McNeill Whistler's Platform
803(3)
James McNeil Whistler and the Critics
806(7)
John Singer Sargent, Man of the World
813(8)
New Women in Art
821(28)
Women Sculptors in the Eternal City
821(5)
A Feminist Looks at Harriet Hosmer
826(2)
Women Artists, Woman's Sphere
828(5)
Mary Cassatt, Modern Woman
833(5)
Cecilia Beaux: Becoming the Greatest Woman Painter
838(4)
Should Women Artists Marry?
842(1)
The Art Workers' Club for Women
843(1)
Advice for Women Photographers
844(5)
New Media, New Tastemakers, New Masses
849(92)
Critical Voices
849(20)
Eugene Benson
849(3)
Earl Shinn on Criticism
852(2)
Mariana Griswold Van Rensselaer Assesses the Progress of American Art
854(3)
Sylvester Koehler Reflects on a Decade of American Art
857(7)
William Howe Downes and Frank Torrey Robinson's ``Critical Conversations''
864(5)
The Little Media
869(27)
Watercolor
869(1)
The American Taste for Watercolor
869(2)
A Child's View of the Watercolor Show
871(6)
Pastel
877(1)
The Society of American Painters in Pastel
877(4)
James Wells Champney on Pastels
881(2)
Etching
883(1)
The ``First'' American Etching
883(1)
Two Views on Etching
884(5)
Women Etchers: Mary Nimmo Moran
889(2)
Otto Bacher on Whistler in Venice
891(2)
Wood Engraving
893(3)
Popular Art And Its Critique
896(20)
The Nation vs. Prang & Co
896(7)
John Rogers, The People's Sculptor
903(3)
The Trouble with Monuments
906(1)
William Harnett's After the Hunt and The Old Violin
907(4)
The Gap between Professionals and the Public
911(3)
John George Brown, the Public's Favorite
914(2)
The Magazines: The New Illustrators
916(7)
In Defense of Illustration
916(2)
Howard Pyle's Credo
918(2)
Charles Dana Gibson, All-American Illustrator
920(1)
Women in Illustration
921(2)
Amateur or Artist? Debates on Photography
923(18)
Amateurs
923(5)
Pictorialism
928(13)
Beauty, Vision, and Modernity
941(80)
The Aesthetic Movement
941(27)
Oscar Wilde's American Tour
941(6)
Advice to Decorators
947(6)
Poking Fun at Aestheticism
953(1)
Aesthetic and Industrious Women
953(7)
Japonisme
960(7)
John La Farge's Revolution in Stained Glass
967(1)
Impressionism: Critical Reception
968(10)
American Artists Confront Impressionism
968(2)
French Impressionism Comes to America
970(8)
Impressionism: American Practices
978(10)
The Americanization of Impressionism
978(4)
William Merritt Chase, Seeing Machine
982(3)
Childe Hassam on Painting Street Scenes
985(3)
Impressionism: Eclectic Practices
988(10)
Genealogies of Tonalism
988(5)
Thomas Wilmer Dewing, Choice Spirit
993(1)
Praise for John Twachtman
994(2)
Refinement in Boston: Edmund Tarbell
996(1)
The Sensuous Color of John La Farge
997(1)
Art Colonies
998(9)
Summer Colonies
998(4)
Vacationing with Art in Shinnecock Hills
1002(2)
Living the Life of Art in Cornish
1004(3)
Beyond the Threshold: Visionaries and Dreamers
1007(14)
William Rimmer: Angels and Demons
1007(3)
Elihu Vedder, Mystical Joker
1010(3)
Albert Pinkham Ryder: The Myth of the Romantic Primitive
1013(8)
Imperial America
1021(40)
The World's Columbian Exposition
1021(8)
Experiencing the Fair
1021(6)
Popular Art at the Fair
1027(2)
Mural Painting
1029(6)
Edwin Howland Blashfield Defines Mural Painting
1029(5)
Kenyon Cox Negotiates a Commission
1034(1)
Public Sculpture
1035(11)
Farragut Monument
1035(5)
The National Sculpture Society
1040(1)
Karl Bitter on Sculpture for the City
1041(4)
A Victory Monument over Fifth Avenue
1045(1)
Retrospectives and Prospects
1046(15)
California vs. the East Coast
1046(1)
The Clarke Sale Cements the Value of American Art
1047(3)
American Art Poised for a New Century
1050(6)
Surveying the Century: Samuel Isham and Charles Caffin
1056(5)
Acknowledgments 1061(2)
List of Illustrations 1063(2)
Index 1065


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The Best American Erotic Poems - Lehman, David (EDT)

The Best American Erotic Poems

por: Lehman, David (edt)

Tipo de Producto: Libro
Editorial: Simon & Schuster
ISBN: 1416537465
Estado: Nuevo
US$ 47,90 Libro Disponible
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A World Art History and It´s Objects - Carrier, David

A World Art History And It´s Objects

por: Carrier, David

Tipo de Producto: Libro
Editorial: Pennsylvania State Univ Pr
ISBN: 9780271034157
Estado: Nuevo
US$ 63,96 Libro Disponible
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